Top 10 Worst Hit Songs Of 2015

Well, would you look at that? Looks like it's time once again to sort out which songs from the Billboard Year-End Hot 100 chart should be hailed as the prevailing gods and goddesses and which should be considered the disgusting water at the bottom of the garbage can. Remember, guys, the song's only eligible for this list if it debuted on the year-end hot 100 chart this year, so yes, that does mean that I'm no longer including leftovers of any kind on these annual lists anymore (although I may still do include them for any throwback lists I do in the future). Now, with all that said, you're probably wondering how I thought 2015 stacked up so far as music from this year went.

Well, in all honesty........PRETTY FREAKIN' AWESOME!!!!!!!!!!!!
Not even kidding, this year was great. So much great pop, EDM, ballads, R&B, hip hop, rock, and hell, even country made its way on to the charts. Not even kidding, I had to expand my best list this year from a top 10 to a top 15, it was that amazing. This is up there with 2012 in terms of quality music being cranked out minute after minute after minute.
Even with that, though, there was still the outright crap that made its way on to the charts and just would not leave for the longest time, and enough of it made its way to the year-end for this list to be formed, so let's not waste any time and kick things off with some dishonorable mentions.





DHM1) Song: Jealous
              Artist: Nick Jonas
              Year-End Position: 38

And we start off the DHMs with one of the most improved artists of 2015. Not even kidding, Nick Jonas has gone from being part of a generic, cookie-cutter, Disney-pushed musical product to making some of the absolute best and most catchy pop music in the mainstream business. Of course, you wouldn't know that listening to the song he kicked late 2014 and early 2015 off with, Jealous, because it's pretty damn insufferable.  Like with All Eyes On You, the production is the only good thing about it with a lot of control and balance over its synths and being able to maintain a pretty solid melodic focus. Unfortunately, it's everything else that lands it here. First off, while Nick Jonas is usually a pretty good singer, he just comes off as extremely whiny here with each line he sings sounding like an adult version of a spoiled 5-year-old going "but mooooom, I waaaaaant it" after his parents said no to buying him a toy he liked, and certainly not helping with that is the subject matter. Essentially in this song, Nick is an overprotective dick who thinks that anyone who even so much as looks at his girl is trying to pick her up and that she's interested, and so he must protect her from that because it's his "right to be hellish." Uh, fuck no. Jonas, you're acting like a controlling asshole when you say stuff like that, and all it comes off as is petulant, ugly, and contentious. NEXT!




DHM2) Song: Drag Me Down
             Artist: One Direction
             Year-End Position: 65

And the disappointments just keep coming as One Direction, who were making great strides lately, halts that progress is a skidding manner with easily one of their blandest songs to date. The lyrics are nothing special, basically the same tired pablum of how a girl's love is so strong that the guy in question feels as though with it, nothing can stop him, and absolutely nothing new is brought to the topic at all. Add on to that, the instrumentation is a stiff mess with its gloppy guitar work, overpowering percussion over actual melody, and just making for an overall unpleasant experience. The only thing really saving this song from being on the list is the fact that each of the performers have some actual energy and charisma, but it's nowhere near enough to save this absolute slog of a song.




DHM3) Song: Earned It
             Artist: The Weeknd
             Year-End Position: 9

God, I was waaaaay too nice to this when I first listened to it because after repeated listens, this song began to sour on me gradually, and well, look where we are now. Anything I praised the song for originally is no longer anywhere to be found. The strings are way too stiff and the percussion way too sparse and heavy with their hits, The Weeknd has nowhere near the amount of energy or soul needed to pull this sort of song off, and the lyrics of how the girl in question has "earned" the privilege of being fucked by him is just pretentious on nearly every level. Don't get me wrong, I am a Weeknd fan, and Beauty Behind The Madness was a fantastic album, but in no way, shape, or form, did this song have anything to do with either of those things, or at least not now.



DHM4) Song: Photograph
              Artist: Ed Sheeran
              Year-End Position: 34

Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz



DHM5) Song: Bad Blood (Remix)
             Artist: Taylor Swift feat. Kendrick Lamar
             Year-End Position: 15

Speaking of songs I was way too nice to when I initially reviewed them, there's this mess. Taylor has proven before that she can get dark and aggressive and make it actually work (trust me, we will discuss that later), but here, she just doesn't with her voice just cracking on the edges during that pre-chorus and those obnoxious elongated syllables on the chorus, thus resulting in what I believe to be Swift's worst vocal performance to date. And Kendrick? What are you even doing here, dude? Yeah, he still offers some decent punchlines here and there, and his flow is fine, but this is still incredibly weak, and given that he dropped the incredibly dope To Pimp A Butterfly this year, it's obvious the dude can do way better than this. I'm not even going to mention how pathetically weak this song is as a diss track to Katy Perry because it wouldn't really matter as the production here just sounds terrible. The clattery, clunky percussion with those grinding, tiresome synths that are just migraine inducing, the fact that there's little payoff to whatever buildup there is, and the overall unpleasantness that is the entire sound of this song. Seriously, T-Swizzle, I expect better from you.




DHM6) Song: Nasty Freestyle
              Artist: T-Wayne
              Year-End Position: 50

Oh, I bet you were all expecting to see this on the list, weren't you? Well, think again. Yeah, I still stand by this song being absolutely dismal with its gutless production, lacking in energy, T-Wayne having irritating vocals, and none of the lines connecting making the song one huge mess. That being said, I can't in good conscience bring myself to put this song on the list because as a silly novelty viral song, it kinda works with T-Wayne having enough looseness and silliness in his delivery and enough ironically funny punchlines to be able to see how one could enjoy the song. Let me stress I still don't think the song is good, like, at all, but at the very least, I do see the appeal, unlike....




DHM7)  Song: Hotline Bling
              Artist: Drake
              Year-End Position: 30

(Unrelated, but is it just me, or does that album art just look absolutely atrocious?)

....this. What do people see in this? I normally like when Drake gets his R&B on, but this is just straight up awful. The stiff trap high hats, the jerky melody sampled from the 1972 song Why Can't We Live Together by Timmy Thomas (which wasn't even all that great to begin with), Drake's delivery being so lifeless, you'd swear he was a zombie, but above all else, the douchebaggery in the lyrical content. Drake, you and the girl in question broke up. Get over it. Besides, even if you were still with this girl, why should you care who she hangs out with or what she wears when she goes out? It's her life, Aubrey, not yours. The fact that this is Drake's biggest hit is disappointing as hell as it's easily his worst hit to date. Yes, even worse than Started From The Bottom. Say what you will about that song, but at least it tried to tell a cohesive story. It massively failed, but it, at the very least, tried, whereas this is nothing more than literal elevator music. Ugh.

DHM8) Song: Flex (Ooh Ooh Ooh)

              Artist: Rich Homie Quan

              Year-End Position: 49

Okay, I gotta ask, what the hell is the appeal of Rich Homie Quan? Seriously, all I hear when I listen to his music is a knock-off of Future, and even he's better than this hack (seriously, Where Ya At would've been a solid best list contender had it made the year-end). His garbled delivery and spouting off of generic rap cliches makes him just absolutely worthless as a rapper, and he doesn't even bring that much energy or charisma into the picture to at least entertainment value to his songs. Such is the case for Flex (Ooh Ooh Ooh), and on top of his mush mouth execution, we get a lifeless, overly-simplistic beat with the same repeated 4 deep bass notes, buzzing feedback, and inconsistent percussion, and not to mention how annoying and skin-crawling those signature "ooh ooh ooh" sounds are that punctuate the end of every line in the chorus are. Honestly, I wanted this one to be on the list so freaking bad, but it's just so forgettable and uninteresting that I have literally nothing else to say about it.




DHM9) Song: Classic Man
              Artist: Jidenna feat. Roman GianArthur
              Year-End Position: 72

Speaking of uninteresting, we've got what is essentially Fancy 2.5. Yeah, going back to it, Fancy is actually starting to wear on my patience, but at least that song had personality (for better or worse), and say what you will about Charli XCX's chorus, you cannot deny that it was incredibly catchy and made itself stand out. Everything about this bland ripoff, however, blends right in in the most generic way possible. The synthloop that "samples" *cough*ripsoff*cough* Fancy with being incredibly weak despite being slightly more complex, trap percussion that's all over the place, Jidenna's nasally delivery, Roman GianArthur's smoother yet blander delivery, it's just a mess. Oh, and at least with Fancy, the lyrics not being all that fancy in reality can be taken in an ironic sense and enjoyed that way. Here, though, it's the same thing with Jidenna not understanding what a "classic man" is and not only not being believable as one, but also not being believable as a so-called "classic gangster," either with all the references to being rich, being able to pick up a lot of chicks, and selling cocaine. God, no wonder this is constantly referred to as the "neckbeard anthem."




DHM10) Song: Ayo
                Artist: Chris Brown & Tyga
                Year-End Position: 86

Correction: this was the closest to making the list. This is just Loyal, pt. 2, only with a good beat this time. Seriously, the plinking, bouncy synth line is actually pretty happy and catchy, and has a lot of energy to it. It's just a shame it was wasted on this douchefest. Seriously, this song is all over the place with its assholery from bragging about how rich they are to stealing your girl (because of course they do) to how their cars smell like ammonia (uh, you know that stuff can kill you, right?) to how they're "tatted up like Mexicans" (wait, WHAT?!?!?!?), just.....fuck this song. Fuck this song with a 9' metal rod.

Well, that takes care of those. Time to peel this band-aid off, now, shall we? Let's go.

10) Song: Tuesday 

      Artist: iLoveMakonnen feat. Drake

      Year-End Position: 82

Well, looks like I'm not done talking about Drake yet as he gives what is easily his worst vocal performance to date on this dreck. Seriously, he cannot hold a note on this song. Even more so than that is the main artist, iLoveMakonnen (stupid name, I know). Seriously, this guy's voice sounds like if Cleveland Jr. from The Cleveland Show had a big hit, and it was supposed to be an upbeat club banger, but he was singing it while he was just waking up, and it was taking him quite a while. The lyrics are nothing more than party song cliches that we haven't heard a million times over by now, and I would be fine with that if the beat and aforementioned deliveries offered anything close to any real energy or punch to make it anything close to tolerable, and believe me, I don't think even the person most drugged out on all the weed, coke, ecstasy, and alcohol could dance to these smeared synths, barely there percussion, and limp bass that aren't able to hold any tune or melody in them whatsoever. 

9) Song: Post To Be

    Artist: Omarion feat. Chris Brown & Jhené Aiko

    Year-End Position: 24

Oh, hi again, DJ Mustard. Yeah, I'll be honest, I've 180'd on Mustard since last year. His tendencies towards minimalism I've actually found worked pretty well in a lot of cases. Hell, 2 On and Don't Tell 'Em came pretty close to winding up as honorable mentions on my best list last year, not even kidding. Then again, there are still songs of his that I cannot stand at all, and Post To Be is easily bottom 5 material for the condiment-named producer at least. This beat tries to be complex (something not commonly found in a DJ Mustard beat), but it just winds up being a huge cluttered mess. There are multiple synth loops, yet none of them connect. They all overlap each other, and it just becomes unbearable. Not to mention how bland and boring it is with how many gaps the song leaves. The vocals here are just egregious. Omarion and Chris Brown are practically indistinguishable from one another with how flat and overly-autotuned their vocals are, and Jhené Aiko probably fares the "best" out of the bunch for at least trying to inject some desperately needed soul into the song, but she still sounds too autogenerated and robotic to pull that off. That's all before we get to the lyrics, which are your bog standard modern day "I can steal your girlfriend because I'm so rich and awesome" type of song. Ah, yes, because thoooose always pan out well. -_-
Oh, and there's also Aiko's infamous "eat the booty like groceries" line. Yes, because when one is performing analingus, the first taste that they should be reminded of is that of tin cans and toilet paper. Moving on.

8) Song: Kick The Dust Up

    Artist: Luke Bryan

    Year-End Position: 87

In a surprising turn of events, only four country songs made the year-end chart for this year. That's right, *four.* Believe me, we'll get to the other three, but for now, we gotta talk about Luke Bryan, who for the most part, I don't hate. Yeah, he makes dumb party music, and sure, he perpetuates a lot of the bro-country archetypes that are prevalent in today's modern age, but he has a solid baritone of a voice, his production is usually anchored in pretty solid melodies and grooves, and he has the sort of charm and presence needed to make that brand of sleazeball personality kinda work. [Then again, I'm speaking as the guy who actually likes Country Girl (Shake It For Me), so what do I know?] Even still, it's not like I don't see why people despise the guy, and there are songs from him that even I hate, this being one of them. Seriously, what the hell is up with this song? The instrumentation is too compressed and inert, and it has none of the driving force needed for a song like this to get peoples' blood really pumping. The melodies are all over the place, and the chord progressions are way too stiff and awkward to be even remotely enjoyable with the ill-fitting synths, painfully weak guitar work, and clunky banjos and drum machines, and......wait, was that some trap I heard him try to incorporate into this song? Dude, no. Just stop it. Even moreover is the fact that normally when Luke is spouting off these empty platitudes of bro-country, he at least sounds enthused or like he's enjoying himself. Here, he just sounds tired and bored, and I don't blame him, honestly. Seriously, we got this to be big enough on the year-end chart and not She Don't Love You by Eric Paslay, Lose My Mind by Brett Eldredge, I'm Comin' Over by Chris Young, or What We Ain't Got by Jake Owen? What in the holy mother of a goat's ass is in y'all's whiskey?

7) Song: No Type 

    Artist: Rae Sremmurd

    Year-End Position: 70

Oh, hello, Ear Drummers spelled backwards. Okay, let's get real here, these guys suck. None of their music is enjoyable......

.....ummm.......none of their music is enjoyable (outside of one song), their voices make nails on a chalkboard sound like Tupac Shakur, they repeat the same tired stereotypes of rap with nothing new added (if anything, they make them a million times worse), and if they were a Nintendo console, they'd be the Virtual Boy, and this song is no exception. A tired, dreary, bog standard Mike Will Made-It beat consisting of generic trap percussion, a simple two-note organ line, and bass limper than soggy breadsticks with no kick or energy to it, the painful to listen to delivery alluded to earlier, and, of course, the contradictory lyrics. For claiming that these guys don't have a type, they follow that with the line "bad bitches is the only thing that I like." Putting aside the grammatical errors in that statement, "bad bitch" seems like a type to me. Consistency, guys. Ever heard of it? I guess not since nobody proofread that before giving it the green light. For God's sake, they did this in the song that came before this, No Flex Zone, and while that one was also awful, at least that one tried to have some sort of swell or energy to it. This is just pathetic, and it had absolutely no reason to exist whatsoever. NEXT!

6) Song: Only

    Artist: Nicki Minaj feat. Drake, Lil Wayne, & Chris Brown

    Year-End Position: 51

Okay, nooow we're getting into the real shit.
This, to my absolute shock, is actually worse than Anaconda. At least that song had the butchered sample of Baby Got Back to make it at least interesting. This doesn't even have that. A lot of debate has gone on about whose fault this song is for why it's so awful, and my conclusion is......everyone involved. Nicki for her stilted flow, godawful punchlines, and weak ass bragging, Drake for just completely embarrassing himself (especially with that "I was still starin' at da titties, doh" line), Lil Wayne sounding bored as shit (can you honestly blame him, though), Chris Brown for his chorus that hops on the Migos flow and has little cohesion to it whatsoever, all five producers for this underweight, reverb saturated, pathetic beat with grating, high pitched echo effects and inconsistent percussion, and the general music listening public for having this peak at #12 on the Billboard Hot 100. There. Everyone sucks, alright? Now we never have to discuss this song ever again. NEXT!

5) Song: Watch Me

    Artist: Silentó

    Year-End Position: 8

Yep. That's right: the song that's so widely despised by everyone and is topping nearly everyone's worst list only winds up at #4. Make no mistake, though, this song is still atrocious. Silentó's voice is still ear-piercing, the production is still a clusterfuck of synth loops just thrown together with no care or thought put in to even considering it having any sort of melody, the lyrics are insultingly lazy with basically being the repetition doing bad dances cribbed from other terrible songs, and I still want to stick an ice pick through my eye socket every time I hear this godforsaken trash. However, after doing some digging, I found 4 songs worse than Silentó's abhorrentness. So, what could possibly be worse than Watch Me?

4) Song: Hit The Quan

    Artist: @iHeartMemphis

    Year-End Position: 83

Well, Watch Me 2.0: It's Even Worse This Time, for starters. Yeah, Watch Me might've been a colossal misfire (and that's putting it lightly), but at least I could see someone enjoying it in an ironic sense. Hit The Quan is denied even that. First off, this beat is abysmal. All it's coasting off of is that oily synthline, and it sounds terrible. The sound it emits is that of if you were tied to a table in a dark room, and a deranged black man was about to chop your nuts off with a steak knife. Sufficed to say, not exactly good for clubs. Lyrically, it's slightly above Watch Me as it does have actual lyrics (apart from that repetitive chorus), but that doesn't mean it's not the same old trite that has been regurgitated time and time again, and even worse is that nearly all of them contain some sort of reference to brand names and current trends, thus making this song instantly dated. The main culprit, though, is @iHeartMemphis himself. Silentó may have been unlistenable, but at least he was like a little kid that kept annoying you yet at the same time was strangely easy to dismiss and ignore. @iHeartMemphis, on the other hand, invades your space with his nasal, off tempo incompetency and just makes you want to take out a restraining order on him. God, it's songs like these that make me want to take this song's advice, slap Rich Homie Quan across the face, and scream "DO YOU SEE WHAT KIND OF SHIT PEOPLE LIKE YOU INSPIRED?!?!?!?!?!?!?!?!?!?!?"

3) Song: 7/11 / Bitch Better Have My Money

    Artist: Beyoncé/Rihanna

    Year-End Position: 61/48

So this is the first of the two ties on this list, and oh boy, where to even begin with Bitch Better Have My Money. To think I actually liked this trash at one point. I usually like a lot of Rihanna's music, but even she has made songs that I haaaaate. This is nowhere near as bad as Birthday Cake from 2012, but it is definitely worse than Pour It Up, which made my worst list in 2013. Nothing about this song works. The trap hi hats are way too skittering and out of control to form any sort of pleasant pattern, the synths are tinny, off key, and come off more creepy in the scary clown music sense than in the gangsta thug sense, and Rihanna just sounds grating here. She's trying so hard to sound tough that it's almost kind of cute in a way. Her screechy delivery is actively grating to the ears, and she is not convincing at all as a thug. I could care less that she was doing this in spite of being a victim of domestic abuse if she was pulling any of it off, and uh......yeah, she's not. Not only that, but she's incredibly hypocritical in this song as well. Rihanna, if you're going to brag about being incredibly rich and blowing thousands of dollars on drinks and other material items, why does the titular bitch need to give you what is supposedly "your" money? Ugh.
Next up......oh god, I gotta come back to this one. Yeah, I discussed this one briefly in my collab with Show With No Name a while back, and as promised, I'm gonna go into way more detail than I did in that post. Here we go.
I never thought I'd live to see the day that Beyoncé would make a song worse than Diva. Make no mistake, that song was an unholy monstrosity, but it was at least able to form a coherent sound to some degree. A coherent sound that was screechy, ear-bleeding, seasick, and that I never wanna hear again, but a coherent sound nonetheless. Here, though, there is absolutely nothing of substance to offer at all. The production are these watery, choppy synths that have no tightness or energy to them, and listening the overbearing percussion constantly tapping throughout the entire song makes me feel as though my skull is about to crack open. Beyoncé's vocals are drizzled in so much autotune that you'd swear the real Beyoncé was captured and replaced with a robot "queen Bey." And do I even need to mention lyrical content at this point? Do I even need to bring up the fact that it's obviously trying to depict a drunken fun night out but winds up sounding like Beyoncé's having a severe attack of epilepsy? Well, I just did. Yeah, there is no redeeming quality to be found in this song. I honestly thought this would be my pick for the worst hit song of the year. And yet........

2) Song(s): Dear Future Husband/Marvin Gaye

    Artist(s): Meghan Trainor/Charlie Puth feat. Meghan Trainor

    Year-End Position(s): 74/75

Now we come to our 2nd tie, and oh crap, we have to deal with Meghan Trainor now. How lovely. Now, while I still maintain that Meghan Trainor is pretty good for the most part and gets way more hate than she deserves, even she has her missteps, and it's just a shame that these missteps were down a huge flight of stairs. I already talked at length about how much Dear Future Husband failed at what it was trying to be so if you wanna read about that, you can do so here, and yeah, my opinion has not changed all that much. The only difference between then and now is now the beat isn't even that great anymore being the same old tired doo-wop that, while I usually don't mind, is just so flat and bland in this song, and Trainor's cutesy delivery got more and more insufferable with each subsequent listen.
The real offender here, though, is Marvin Gaye, easily the whitest, least sexy song about sex since....well.....

Yeah, who hasn't made this comparison? Is it really wrong to do so, though? One's a song about sex that sounds like nobody involved knows what sex even is, and the other is, well, a song about sex that sounds like nobody involved knows what sex even is. The two are almost entirely indistinguishable. Musically, this song's blaaaaaand. The fluttering piano line and flat horns don't set a sexy atmosphere at all, and the trap high hats and gang vocals they divulge into in the second verse. Charlie Puth's vocals are strained and breathy here, and they do not sound good at all, and given how great he sounded on See You Again, that's saying something. Trainor is passable, but again, her flowery delivery doesn't fit in a sex song. Lyrically, this thing is a trainwreck. "Let's Marvin Gaye and get it on"? "It's kamasutra show 'n tell"? "I'm like a dog without a bone"? No, just.....just no.  Oh, and fuck you, Puth, for trying to appropriate the bass and piano line to Ben E. King's Stand By Me for this trash song. Let's.....let's move on to my pick for the worst hit song of the year and as far away from this cultural gentrification and brattiness falsely packaged as a positive message before I start breaking things.

1) Song: She Knows 

    Artist: Ne-Yo feat. Juicy J

    Year-End Position: 97

It feels painful giving the top spot on my worst list to Ne-Yo, an artist I usually respect and like a lot. He has a lot of great songs in him such as Let Me Love You (Until You Learn To Love Yourself), Because Of You, Miss Independent, Mad, So Sick, Sexy Love, Closer, those and many more are all great songs, but man, did he really drop the ball with this song. First off, this production is disgusting. The thudding horns, the weaksauce synths, the incredibly cheap and processed drums, it all just creates this wall of sound that is just unpleasant to listen to. Not only that, but Ne-Yo is just on autopilot, here. He has none of the soul or rich texture in his voice to make these types of songs work. Sure, he makes an attempt to be soulful in the chorus, but it just fails, and we're immediately thrown back into the same droning mess. The lyrics are about how bewildered and amazed at how confident and good at her job this one stripper in particular is, and I'm sorry, are we really expected to buy into this crap? Ne-Yo's wide-eyed front he's putting on just isn't believable, and especially not in a sludgy, gross stripper anthem like this. Juicy J's verse is his standard throwaway garbage, and yet he's easily the best part of the song. When a lousy Juicy J verse is the best part of your song, you fucked up, and your fuck up was harder than a cinder block. What else am I leaving out, hmm, there must be one last thing that this song disgusts me with, hmmm, *baby noise*.................Really, Ne-Yo? A freaking baby noise? In this song clearly about having sex with adult women? Okay, maybe I'm overreacting. It's not like there are any lines that make him seem like a.....

"She said, 'Daddy, I'll be back after this song, then you takin' me home'"

NOOOOOOOPE! NOPE! NOPE! NOPE! NOPE! NOPE! NOPE! NOPE!

Pedophilic undertones is where I draw the line. She Knows is my pick for the worst hit song of 2015. Thanks for reading, and see you next time for the best list.